Chapter 4b.  Survey of Apochromats (Triplet Systems).

Triplets form the mainstay of present day apochromatic designs.  This is because by adding a third element it becomes much easier to manufacture high-performance lenses cost-effectively.  And more combinations of glasses are available to do the job.  Yet even here there are limits as one pushes for faster and faster focal ratios.  If diffraction limited performance and exquisite color correction are demanded at f/7 for a 150mm lens, then it may be necessary to add a fourth element.  And a radical departure from the closely spaced lens arrangements so far seen may be contemplated.  The Petzval lens in which there are two widely separated doublets may be necessary (cf. Chapter 5).  Of the rich variety possible in three-element lens combinations, we will survey a sampling in the present chapter.

H. Dennis Taylor developed and patented the first practical triplet in 1892 [British Patent no. 17994; cf. S. Czapski & O. Eppenstein, Grundzüge der Theorie der optischen Instrumente nach Abbe, 3rd ed. (Verlag J.A. Barth, 1924), p. 567; H. Chrétien, Calcul des combinaisons optiques, 4th ed. (Paris, 1958), pp. 261-267; and G.R. Nankivell, "The Cooke Photovisual Objective and the 22.9cm Refractor at the Carter Observatory, New Zealand," Journal of the Antique Telescope Society 24 (2002), pp. 4-8].  He seems to have been alerted to the possibility of making a triplet through the published writings of Abbe and Hastings [cf. H.D. Taylor, Adjustment and Testing of Telescope Objectives, 5th ed. (Adam Hilger, 1983), pp. 78-87, especially p. 79; and C.S Hastings, "On Triple Objectives with complete Color Correction," The American Journal of Science and Arts, 3rd series, vol. 18 (1879), pp. 429-435].  In 1894, Taylor published a detailed description of his triplet, specifying the glass types, their order in the construction, and the relationships of their surface curvatures.  He also illustrated his lens with a layout [cf. H.D. Taylor, "Description of a Perfectly Achromatic Refractor," Monthly Notices of the Royal Astronomical Society 54.5  (1894), pp. 328-337; reprinted in Adjustment and Testing, pp. 78-87, especially pp. 82-83].  

The glass types in question are all "ordentlich" or "regular" types produced at the time by Schott.  Facing the sky came a light barium flint (O.543); in the middle a borosilicate "short flint" (O.164); and on bottom a light silicate crown (O.374).  O.164 was a replacement for O.658, an earlier borosilicate short-flint which Taylor had specified in his patent.  O.164 allowed somewhat better correction than O.658.  Henri Chrétien, the famous French optical designer, studied Taylor's objective and has left valuable information regarding the refactive indices for all four types of glass [cf. Chrétien, p. 262].  Using Chrétien's indices and Taylor's illustration and description, we can form an approximation of his objective in ZEMAX.  What follows is an approximation following Taylor's second form of objective employing O.164.  This allows a direct comparison with the layout specified in Taylor's article. 

Surface
Type
Radius
Thickness
Glass
Diameter
Conic
Object
Standard
Infinity
Infinity

0
0
Stop
Standard
1001.04
15
O.543
160
0
2
Standard
-377.974
0.1

160
0
3
Standard
-377.974
3
O.164
160
0
4
Standard
274.825
3.087

160
0
5
Standard
274.825
15
O.374
160
0
6
Standard
5400
2680.885

160
0
7
Standard
Infinity
0.320

47.138
0
Image
Standard
-912.985


47.139
0

Table 1:  150mm f/18 Cooke-Type "Photo-visual" Triplet

Next comes the layout:

Taylor Triplet
1. 150mm f/18 Cooke-Type "Photo-visual" Triplet


The thinness of the convex central element is intentional, since Taylor's illustrations as well as surviving Photo-visuals show that he purposely employed thin glass [cf. Taylor, Monthly Notices, p. 332; Adjustment and Testing, p. 82; and Nankivell, pp. 4-8].  The ray fan plot and spots come next.  Since this and all subsequent designs are aplanatic, I do not give ran fan plots for the off-axis images:


Cooke Photo-visual Ray Fan Plot
Figure 1:  Axial Ray Fan Plots for a 150mm f/18 Cooke-Type "Photo-visual" Triplet


Cooke Photo-Visual Spots
 
Figure 2:  Spot diagrams for a 150mm f/18 Cooke-Type "Photo-visual" Triplet

Optically, the design is very good for a lens not employing fluorite or fluor-crown, and indeed it may be too good.  The color curve supplied by Chrétien [p. 265] indicates that rays shorter than F- should begin to focus longer and longer as in an achromat, so that the g-rays should form a large diffuse (but faint) halo around the Airy disk.  In the above lens, on the contrary g- still focuses well and errs in focusing too short, if anything.  Thus, one needs to take the above design with a grain of salt.  The lens geometry looks right for a Cooke Photo-visual; the radii of curvature look plausible; the fact that at the 80% zone where the entering rays focus most tightly, red and blue simultaneously focus short of green--all these features are correct for a Photo-visual.  But, apparently violet should focus long and it does not.

Cooke and Sons began selling Taylor's Photo-visuals by the mid-1890s, and Taylor himself made a presentation regarding the design in April 1894 to the Royal Astronomical Society [cf. Observatory 213 (April, 1894), pp.132-134].  Two of the largest lenses were constructed almost immediately:  a 9-inch in 1896 for Edward Crossley, a wealthy English amateur, and a 12.5-inch at about the same time for Cambridge University [cf. Nankivell, p. 5; and D.W. Dewhirst, "A Cooke Photovisual Lens in a Compensated Cell," Sky and Telescope 49.1 (1975), pp. 24-25].  They also made a number of other Photo-visuals by 1905 [cf. W.J.S. Lockyer, "Note on the Permanency of some Photo-visual Lenses," Monthly Notices of the Royal Astronomical Society 68 (1908), pp. 19-29].

Unfortunately, all these lenses began to degrade soon after their completion.  Indeed, Sir Howard Grubb and A.C. Ranyard had both expressed concern regarding the permanency of their glasses at the April 1894 meeting.  But Taylor and his employers defended them and expected no decay [cf. Observatory 213 (April, 1894), pp. 147-148].  Yet by 1908 there was ample evidence of glass degradation [cf. Lockyer, "Note on the Permanency..," pp. 19-29].  Irronically, whereas Taylor had most been at pains to allay concerns about the permanency of the borosilicate short-flint, it was the inner surface of the light silicate crown at the rear of the lens which was most affected, and to a lesser extent the inner surface of the front light barium flint [cf. Taylor, Monthly Notices, pp. 333-334; Adjustment and Testing, pp. 83-84; and Lockyer, "Note on the Permanency..," pp. 22ff.].  Yet the short-flint also decayed with the passage of time; and like many other short-flint glasses, if actual droplets of water ever sat on its surface for a length of time, deep corrosion ensued.  Recently, the 9-inch Crossley lens was destroyed in this way after 100 years of service [cf. Nankivell, pp. 6-7].  It is a danger facing many short-flint apochromats.  Even if nothing catastrophic occurred, owners of the early Cooke lenses could expect them to need repolishing every 25 years of so [cf. Dewhirst, p. 25].

The optical success of Taylor's lens spurred Cooke and Sons to search for more stable glasses.  They had already replaced O.658 with O.164.  Next they replaced the ordinary crown O.374 with O.599 [cf. Taylor's reply to Lockyer in Lockyer, p. 29].  Schott too recognized the problem and by 1902 had removed O.374 from the market [cf. H. Hovestadt, Jena Glass and its Scientific and Industrial Applications (McMillan, 1902), pp. 388-393].  For its part, Zeiss recognized the value of Taylor's design and quickly marketed their own similar triplet, called the "B" objective, designed by Albert König [cf. A. Sonnenfeld, "Der Köngische Apochromat B," Zeitschrift für Instrumentenkunde 61 (1941), pp. 261-264; R. Riekher, Fernrohre und ihre Meister, 2nd. ed. (Verlag Technik, 1990), p. 214].  Since Zeiss had such close ties to Schott, they were apparently able from the outset to choose better, more stable glasses than Taylor had used.  At any rate, nothing I can find in the literature suggests that the Zeiss B lenses degraded [cf. also J.G. Baker, "Planetary Telescopes," Applied Optics 2.2 (1963), pp. 111-129, especially  p. 120].

König's student, Horst Köhler, has indicated the modern Schott glass types and geometry of the "B" objective, as well as radii of curvature and spacings for a small version.  From this information it is possible to produce an approximation of the "B" at 150mm f/18, in order to show how the lens would compare to Taylor's [cf. A. König and H. Köhler, Fernrohre und Entfernungsmesser, 3rd ed. (Springer Verlag, 1959), p.134, nr. 9]:

Surface
Type
Radius
Thickness
Glass
Diameter
Conic
Object
Standard
Infinity
Infinity

0
0
Stop
Standard
683.456
18
BaLF4
160
0
2
Standard
-276.868
0.1

160
0
3
Standard
-276.284
7
KzF2
160
0
4
Standard
188.838
7.258

160
0
5
Standard
195.389
18
K7
160
0
6
Standard 1006.367
2666.608

160
0
7
Standard
Infinity
-.074

47.138
0
Image
Standard
-683.119


47.139
0

Table 2:  150mm f/18 "Zeiss B"-Type Triplet

The layout looks like so::

Zeiss Type B Layout
2. 150mm f/18
"Zeiss B"-Type Triplet

The ray fan plots and spot diagrams come next:

Ray Fan Diagram for Zeiss Type B
Figure 3:  Axial Ray Fan Plots for 150mm f/18 "Zeiss B"-Type Triplet


Zeiss B-Type Spots
 
Figure 4:  Spot Diagrams for 150mm f/18 "Zeiss B"-Type Triplet

The color correction is not quite as good as Taylor's objective, even apart from the performance at 0.436 micron.  On the other hand, the "Zeiss B"-type has almost no spherochromatism, and only a small amount of zonal spherical aberration, which itself could be removed with suitable aspheric figuring in the outer zones.  Therefore, the lens could be built at a faster focal ratio, f/15 being the target at which Zeiss aimed.

The main problem with these two objectives--in addition to possible glass deterioration--is the strongly curved interior surfaces and the large airgap between the middle short-flint element and the final crown.  These features made the lenses very sensitive to errors in the tilt and centration of the elements relative to one another, as well as to temperature changes.  Even slight alignment errors would produce strong coma in the image.  Taylor and König recognized this and made provision for it in the design of their lens cells, introducing carefully made spacers and retaining rings which expanded and contracted with temperature changes in such a way as to keep the lens elements properly oriented with respect to one another [cf. Taylor, "The Cooke Photo-Visual Objective," in  The Adjustment and Testing of Telescope Objectives, 5th ed. (Adam Hilger, 1983), pp. 54-57, especially p. 55; Sonnenfeld, pp. 262-263; J.G. Baker, "Planetary Telescopes," Applied Optics 2.2 (1963), pp. 111-129, especially  p. 118; and Dewhirst, pp. 24-25].  August Sonnenfeld, the designer of the Zeiss AS objective, in his discussion of the B-type said that "One must...expect from the user that he value the B-objective like a highly sensitive physical measuring instrument...and treat it accordingly."  Obviously, one couldn't throw a "B" into the back of the car and race out to the country for an evening's observing, as one can with a present day apochromat!

The reason for the steep curves in these triplets is because the dispersions of the glasses do not differ sufficiently from one another.  We saw the same problem in Chapter 4a especially in regard to the SSKN8/KzFSN4 doublet.  In part to overcome this problem, Zeiss later developed the "F" or "dense flint" objective.  This became possible during the middle of the 20th century with the advent of extra dense flint glasses which displayed abnormal dispersions.  One such abnormal dispersion flint is called SF11.  The "SF" abbreviation stands for "Schwerflint," that is, "heavy flint" in German.  

SF11 can be combined with another dense flint such as SF1, SF4, SF9, etc. and a dense phosphate crown such as PSK3 or one of the "BaK" or "SK" barium crowns.  Zeiss's "F" objective contained the glasses PSK3, SF4, and SF11, according to H. Köhler who developed it along with R. Conradi [cf. König and Köhler, p. 61; p. 135, nr. 12; and p. 139].  We can form an approximation of the "F" at 150mm and f/15 as follows:

Surface
Type
Radius
Thickness
Glass
Diameter
Conic
Object
Standard
Infinity
Infinity

0
0
Stop
Standard
14223
16
PSK3
160
0
2
Standard
-461.190
0.1

160
0
3
Standard
-461.190
10
SF4
160
0
4
Standard
302.368
0.914

160
0
5
Standard
305.400
18
SF11
160
0
6
Standard -1032.53
2267.513

160
0
7
Standard
Infinity
-.085

39.356
0
Image
Standard
-830.316


39.372
0

Table 3:  150mm f/15 "Zeiss F"-Type Triplet

The layout looks like so::

Zeiss F Objective
3. 150mm f/15
"Zeiss F"-Type Triplet

Clearly the interior curves are weaker than in the "B" objective and the airgap between the middle and rear elements is far smaller.  Its performance at f/15 is good, though not excellent:

Ray Fan Plot for Zeiss F
Figure 5:  Ray Fan Plots for 150mm f/15 "Zeiss F"-type Triplet


Zeiss F-Type Spots
 
Figure 6:  Spot Diagrams for 150mm f/15 "Zeiss F"-type Triplet

Although the color correction seen here is not as good as in a Taylor or "Zeiss B"-type of apochromat, it is still respectable in comparison to an achromat.  And since the interior curves of the "F" are weaker than in a Taylor or Zeiss B, it is possible to build the system even faster, as Zeiss did, producing the "F" as a half-apochromat down to about f/11 [cf. König and Köhler, p. 61; p. 135, nr. 12; and p. 139].  Other combinations of dense flints and crowns can give better color correction, but the present set has the advantage of significantly weakening the curves, which eases fabrication, mounting, and sensitivity to tilts and decenters of the elements [cf. Baker, p. 119 on the possibility of a superachromatic dense flint triplet].

The next step forward in the design of practical apochromatic triplets for amateur astronomy came when it was realized that although cementing closely spaced large lens elements was not possible, filling the gaps with a very thin layer of oil (or special gel), and sealing the edges of the lens was feasible.  I do not know when this realization occurred.  Certainly, James G. Baker, the famous American optical designer, understood it by 1963, when he suggested building a 510mm f/30 oil-spaced half-apochromat [cf. Baker, p. 125].

At present, a common method of sealing the edges of oil-spaced lenses is by means of polyimide pressure-senstive tape, which goes by the tradename of "Kapton."  This tape is very effective at sticking to the glass despite the oil, and forms a durable long-term barrier against leakage.  And as for spacing oils, many different types can work (including plain cooking oil), but ideally one would like an oil or gel which matches the index of the glasses involved and evaporates very slowly.  A great number of oil-spaced triplets have been manufactured over the last 20 years and I personally know of lenses over 10 years old which show no leakage of oil or deterioration.  So oil-spacing can be considered a permanent or at least long term solution.  If the oil layer ever becomes dirty or damaged in some way, it is possible to separate the lens elements, renew the oil, and retape the lens without harm to the glass.

By means of oil-spacing and taping it was possible for Roland Christen in the early 1980s to revolutionize amateur interest in high-performance apochromats [cf. R. Christen, "An Apochromatic Triplet Objective," Sky and Telescope (Oct., 1981), pp. 376-380; "Revised Triplet Design," Sky and Telescope (April, 1982), pp. 411-412; and "Design and Construction of a Super Planetary Telescope Objective," Telescope Making 28 (Fall, 1986), pp. 20-23].  Christen's original lens designs were essentially oil-spaced versions of Taylor's, using higher quality recent glasses.  As Christen noted at the time, the oiled interior surfaces of such lenses need not be figured accurately, since they contribute essentially nothing to the wavefront errors [cf. Sky and Telescope (April, 1982), pp. 411-412].  Moreover, oiling makes the tilt and decenter problems of the old Cooke and Zeiss triplets completely disappear.  Thus it becomes comparatively easy to fabricate high-performance apochromats, especially in the small sizes popular today.  

I myself have built several triplets and found them among the easiest optics to make accurately.  In two instances it was not necessary to do any figuring at all:  the lenses were complete as soon as they had been carefully polished out.  The first of these lenses, a 90mm f/12 short-flint triplet won a merit award for optical excellence at the 2002 RTMC Astronomy Expo; and the second, a 140mm f/12 ED triplet is equally good in color correction and figure.  Both have smooth wavefronts of 1/8th wave pv (at 532nm) or better.  Nothing more than the simplest lens cells has been necessary for either of the lenses.

What follows is a short-flint triplet closely modeled on those published by Christen in the above-mentioned articles:

Surface
Type
Radius
Thickness
Glass
Diameter
Conic
Object
Standard
Infinity
Infinity

0
0
Stop
Standard
1862.235
18
BK7
160
0
2
Standard
-365.407
6
KzFS1
160
0
3
Standard
365.407
18
BaFN10
160
0
4
Standard
-1342.645
1492.275

160
0
5
Standard
Infinity
0.023

26.241
0
Image
Standard
-582.177


26.251
0

Table 4:  150mm f/10 KzFS1 Oil-Spaced Triplet


Christen 1 Layout
4.  150mm f/10 KzFS1 Oil-Spaced Triplet

This is an elegant symmetrical design, much faster in focal ratio than any of the preceding lenses.  It proved possible to increase the speed because the design uses a short-flint glass (KzFS1) of more abnormal dispersion than those seen above.  Indeed, Christen stated at the time he was building his first lenses that his batch of KzFS1 was even better in its partial dispersions than the catalog values [cf. Sky and Telescope (Oct., 1981), p. 378].  So, the ray fan plots and spot diagrams given below are no doubt worse than what he actually achieved.  Yet they give an idea of the excellence of the corrections:


Christen Ray Fan Plot
Figure 7:  Axial Ray Fan Plots for a 150mm f/10 KzFS1 Oil-Spaced Triplet


Spot Diagrams for "Christen"-Type Triplet

Figure 8:  Spot Diagrams form a 150mm f/10 KzFS1 Oil-Spaced Triplet

This design is excellent for f/10 and can provide very satisfying views.  One must remember, of course, that the human eye is only very slightly sensitive to 0.436 micron, so that only a very faint violet halo would be visible around the brightest white stars in a dark sky.  Otherwise, even at high powers stars in this type of lens would look sharp and completely free of false color [cf. Christen, Telescope Making 28 (Fall, 1986), pp. 23].  The lens's chromatic focal shift diagram gives the classic appearance of a short-flint triplet apochromat, comparable to the color curves published by Czapski, Wolf, Steinheil and others starting in the 1880s:

Chromatic Focal Shift for Christen-type Lens

Figure 9:  Chromatic Focal Shift for 150mm f/10 KzFS1 Oil-Spaced Triplet

Alas, KzFS1 in either no longer made or perhaps not under regular production.  Thus, the above lens can perhaps no longer be made.  The related short flint, KzFSN4, on the other hand is a standard Schott glass.  It can be teamed with the slighlty abnormal fluor-crown FK5 and the ordinary barium flint BaF13 to make an essentially identical type of triplet:


Surface
Type
Radius
Thickness
Glass
Diameter
Conic
Object
Standard
Infinity
Infinity

0
0
Stop
Standard
2431.771
18
FK5
160
0
2
Standard
-331.227
5
KzFSN4
160
0
3
Standard
331.227
20
BaF13
160
0
4
Standard
-984.869
1497.47

160
0
5
Standard
Infinity
0.021

26.215
0
Image
Standard
-586.116


21.226
0

Table 5:  150mm f/10 KzFSN4 Oil-Spaced Triplet

The geometry of this lens is very similar to the KzFS1 triplet shown above.  Therefore I omit a layout.  The performance is as follows:

Ray Fan for KzFSN4 Oil-Spaced Triplet
Figure 10:  Ray Fan Plots for 150mm f/10 KzFSN4 Oil-Spaced Triplet


Spot Diagrams for KzFSN4 Oil-Spaced Triplet

Figure 11:  Spot Diagrams for 150mm f/10 KzFSN4 Oil-Spaced Triplet  

The color residual is very slightly worse, though in practice one would see no difference between the present lens and the preceding.
  
These two oil-spaced lenses represent the approximate limit of what can be achieved with a safe oil-spaced short-flint design.  One must understand that both KzFS1 and KzFSN4 are extremely sensitive to water and will quickly be etched by it, if it is allowed to stand on their surfaces for more than a few minutes.  Therefore, these glasses--and indeed, all the most useful short-flints--need careful protection from moisture if the lens they make up is to last a long time.  It is indeed possible to add airspaces between the three lens elements in order to improve the spherochromatism and basic color correction, but then we will expose the sensitive short-flint glass to assault by humidity, and in addition we will encounter the centration problems of the old Zeiss B and Taylor objectives.  Therefore, at present it makes little sense to push the short-flint design any further.

A better plan is to switch to an oil-spaced fluor-crown triplet, as the commercial makers of telescopes for amateurs have done.   By employing Ohara FPL53 in combination with ZKN7 we can decrease of focal ratio to f/9 as follows:

Surface
Type
Radius
Thickness
Glass
Diameter
Conic
Object
Standard
Infinity
Infinity

0
0
Stop
Standard
580.789
10
ZKN7
160
0
2
Standard
-304.444
20
FPL53
160
0
3
Standard
-688.687
10
ZKN7
160
0
4
Standard
-2590.862
1325.095

160
0
5
Standard
Infinity
-.063

23.601
0
Image
Standard
-499.454


23.575
0

Table 6:  150mm f/9 FPL53/ZKN7 Oil-Spaced Triplet Apochromat

It will be seen here that the central positive element of FPL53 is now surrounded by two exterior negative meniscus components of ZKN7.  This is a very effective arrangement leading to somewhat smaller spherochromatism than we saw in the doublet made of these two glasses in Chapter 4a (cf. Table 7), and more importantly to far easier construction.  Since the two interior spaces are filled with oil, the four interior lens surfaces cannot distort the wavefront.  Figuring this lens is now relatively easy.  

The layout is as follows:


Layout for FPL53/ZKN7 Triplet  
5.  150mm f/9 FPL53/
ZKN7 Oil-Spaced Triplet Apochromat


The ray fan plot and spot diagrams are as follows:

Ray Fan for FPL53 f/9 Lens
Figure 12:  Axial Ray Fan Plots for 150mm f/9 FPL53/ZKN7
Oil-Spaced Triplet Apochromat


Spot Diagrams for FPL53 f/9 Lens

Figure 13:  Spot Diagrams for 150mm f/9 FPL53/ZKN7
Oil-Spaced Triplet Apochromat


The color correction is excellent and the spherochromatism is under control.  An examination of the chromatic focal shift diagram shows a notable improvement over that for a short-flint design:


Chromatic Focal Shift Diagram for FPL53 Lens

Figure 14:  Chromatic Focal Shift Diagram for 150mm f/9 FPL53/ZKN7 Triplet

Comparing the maximum shift to the diffraction limited range shows for the first time that former is now much smaller than the latter, which is another sign that our lens possesses excellent color correction.  Many vertical slices through the graph will intersect three widely separated wavelengths of light.  Figure 13 shows excellent correction for coma, only a small amount of chromatic astigmatism being clearly displayed.  And Figure 12 shows good spherical correction for the e-line.  Thus, we are close here to achieving Abbe's idea of an apochromatic lens.

It is, of course, also possible to use fluorite for the abnormal dispersion middle element, as was apparently done in the recent Zeiss APQ objective, built at 100mm aperture and 1000mm focal length (f/10).  Such a lens would no doubt give superb results [cf. A. Karnapp & J. Pudenz, "The 100/1000mm APQ objective--a new level of quality in astronomical optics," Jenaer Rundschau 31.3 (1986), pp. 140-141].

If we wish to press onward to a focal ratio of 7, then alas, the above design is no longer quite adequate to give excellent performance.  The smallest set of changes which we could make in order to salvage the choice FPL53 and ZKN7 would necessitate airspacing the first two elements, allowing r2 and r3 to vary from one another in radius of curvature, and aspherically figuring r1.  But still slightly better would be to substitute two different glasses for the ZKN7, namely FK5 (a fluor-crown of slightly abnormal dispersion), and LaK10 (a lanthanum crown).  These latter two glasses (especially the LaK10) are not as chemically stable as ZKN7, but with coatings and some care they should be safe to use.  The design would be as follows:
  

Surface
Type
Radius
Thickness
Glass
Diameter
Conic
Object
Standard
Infinity
Infinity

0
0
Stop
Standard
514.998
10
FK5
160
-0.176
2
Standard
246.691
0.016

160
0
3
Standard
243.513
25
FPL53
160
0
4
Standard
-515.386
10
LaK10
160
0
5
Standard
-987.250
1027.769

160
0
6
Standard
Infinity
-.002

18.364
0
Image
Standard
-385.366


18.355
0

Table 7:  150mm f/7 FK5/FPL53/LaK10
Airspaced Aspheric Triplet Apochromat

 
Since the geometry of the lens is close to that of Layout 5, I omit showing it.  Certainly, it would no longer be easy to make this lens, since now r2 and r3 must be made accurately spherical and moreover, we must aspherically figure r1 producing a smooth prolate ellipsoid on a convex surface.  Tilts and decentrations of the first element versus the second two would make the lens more difficult to mount correctly.  But probably it can all be done by a skillful optician and machinist.  Possibly a different glass choice would ease this burden.  Yet, the analysis of the lens as specified will probably give an idea of the practical limit which can be achieved by the triplet fluor-crown design:


Ray Fan for FPL53 Airspaced Lens
Figure 15:  Axial Ray Fan Plots for 150mm f/7 FK5/FPL53/LaK10
Airspaced Aspheric Triplet Apochromat


Spot Diagrams for FPL53 Airspaced Lens

Figure 16:  Spot Diagrams for 150mm f/7 FK5/FPL53/LaK10
Airspaced Aspheric Triplet Apochromat

Of course, we could easily specify one or more wide airspaces in this lens in order to diminish the color error and spherochromatism, which are the outstanding aberrations.  Yet, this would lead to an optic almost impossible to build and use in practice.  We would go back to the very sensitive type of design exemplified by the Zeiss B objective, needing careful users and gentle maintenance. 

We can also improve the performance by adding a fourth lens element.  This easily results in significantly diminished spherochromatism and might result in a marginally easier design to build.  The following is a such design--the glasses are taken almost at random--for a 150mm f/7 four-element apochromat:

Surface
Type
Radius
Thickness
Glass
Diameter
Conic
Object
Standard
Infinity
Infinity

0
0
Stop
Standard
416.148
10
BK7
160
0
2
Standard
221.909
27.5
FPL53
160
0
3
Standard
-468.230
8.712

160
0
4
Standard
-468.230
15
F2
160
0
5
Standard
-240.231
10
BaF4
160
0
6
Standard
-1604.844
997.884

160
0
7
Standard
Infinity
-.05017

18.356
0
Image
Standard
-371.113


18.330
0

Table 8:  150mm f/7 FPL53 Four-element Apochromat


The layout for this lens is as follows:
Layout for 4-Element f/7 Design  
6. 150mm f/7 Four-
Element Apochromat

The lens is clearly a Baker-type objective with crown and flint elements both composites of two lenses each.  By forming each composite element from two different glasses, it is easily possible to fine tune the partial dispersions and result in a very small outstanding color.  Moreover, spherochromatism can be almost completely abolished.  In an f/10 or f/12 arrangement, the lens should be feasible for a practiced amateur telescope maker to build--though first one should look for a still better set of glasses than those given above

The performance of the f/7 version is as follows:

Ray Fan Plot for 150mm f/7 Four-element Apochromat
Figure 17:  Ray Fan Plots for 150mm f/7 Four-element Apochromat


Ray Fan Plot for 4-Element f/7 Design  
Figure 18:  Spot Diagrams for 150mm f/7 Four-element Apochromat

These are the best spot diagrams we have seen so far.  Even down to a wavelength of 1.000 micron (not illustrated) the color blurs stay much smaller than the Airy disk.  The ray fan plot shows a little outstanding color (violet is slightly displaced from the rest of the rays), but no real spherochromatism, only a very regular 5th order spherical residual virtually the same for all wavelengths.  This could be improved through figuring.

That concludes our survey of apochromatic lenses.  Several special refinements will be found in the last two chapters.   In Chapter 5 we will examine the so-called "Petzval" telescope and sub-aperture color correctors.  And in Chapter 6 we look at a completely different form of refractor:  Ludwig Schupmann's "Medial Telescopes."
 
Chapter 5

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